Remove the as of now unnecessary MacPorts-2.8.1 source directory and corresponding tarball. This procedure will install a pristine MacPorts system and, if the optional steps are taken, These steps need to be perfomed from an administrator account, for which “ sudo” will ask the ![]()
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![]() Some prefixes are considered rare, and will have 3 to 7 strong added stats lines each. Some prefixes are considered magical, and will have 1 to 3 average added stats lines each. This lottery process randomly chooses from a list of prefixes and suffixes ( affixes) that will add new stats to the base stats of the item. In Grim dawn, when an armor, weapon, or any gears drops from a mob or is bought from a merchant (with the exception of the unique items that already have predetermined stats -> Epic & Legendaries), it has gone through a lottery process to determine its statistics (hence its power and rarity). Devs decided against even more colors to make these distinguishable and simply made them all green instead. ![]() All those items are subject to différents mechanics, different drop rate and should definitely have different colors. When we look in details,however, at some specific color codes (such as the green color), we discover more differentiation within the color itself, and those differentiation are not at all self-explanatory.Īctually the green color items group gathers a bunch of various different kind of items, such as the Monster Infrequents, some faction items, some craftable items, and all the rare-affixes items. Personally, I select the Green+ filter, and literally pick-up everything that drops. So the color coding is quite clear at first sight, although there might be some ambiguity/difficulty to differentiate some items from others (Quest items vs Legendary items, Common components vs Blueprints, Rare components vs Common gears…).īut this color recognition issue nearly disappears or becomes negligible when we use the Loot Filter at the bottom left of the screen. The Violet items are not transferable between characters, as well as the Soulbound Items sold by the various factions in Grim Dawn. Violet Items => Quest Items, Crafting Materials, Path Opener Materials, Notes.Light Orange Items => Blueprints, Recipes.Red Items => Consumables, Instant Constitution Healers.So let’s start with a simple association of ALL colors and items: I am pretty sure most beginners are not aware of the complexity and diversity of the items in Grim Dawn, especially when it comes to MI’s, affixes, crafting or soul-bound items. However, I haven’t gone through a thread that is explaining in details the hierarchy and rarity of all items, associated with their own specific colors. I’ve been playing Grim Dawn for a while now, and I’ve read a lot about it on this forum and on others, which were very helpful. Character screenshots not posted in the Megathread are subject to removal without warning.***Post has been edited with latest comments and additions 2017-Feb-16 *** Tav Posting Character screenshots must be posted in the Tav Tuesday Megathread."For every 1 time you post self-promotional content, 9 other posts (submissions or comments) should not contain self-promotional content." Self-Promo Rules: Please follow Reddit's guidelines for self-promo content Examples of low effort posts would be posting excessive screenshots and low effort memes Any re-posts, low-effort posts, or posts that qualify as spam may be removed. Posts without it are subject to removal without warning. Additionally, character screenshots must be flaired with the TAV flair. All fanart, memes, and joke posts must have proper flair. Memes, character screenshots, and fanart must be flaired.Additionally, titles should be free from profanity, spoilers, and other NSFW language. Content that is NSFW or contains spoilers must be tagged appropriately. Comments should be relevant to the topic of the thread. All submissions must be related to Baldur's Gate 3. You don’t have to agree with them, but you also don’t have to argue or harass them about it. The intent is for everyone to act as civil adults. Unacceptable behaviors include name-calling, taunting, baiting, flaming, etc. (Spoilers) EA Relevant Items Spreadsheet. ![]() ![]() Gather your party and venture forth! Community Links Baldur's Gate III is based on a modified version of the Dungeons & Dragons 5th edition (D&D 5e) tabletop RPG ruleset. BG3 is the third main game in the Baldur's Gate series. A community all about Baldur's Gate III, the role-playing video game by Larian Studios. ![]() Hohenheim was eventually overcome with the guilt of sacrificing lives to make the Stone and left Dante. Centuries ago, Hohenheim and Dante perfected methods for making the Philosopher's Stone and achieved immortality by transferring their souls and intellects into other bodies as they age. Dante, a former lover of Hohenheim and mentor to the Elric brothers' teacher, is the series' central antagonist. However, the plots severely diverge from each other by the middle of the story, specifically around the time where Roy Mustang's friend Maes Hughes is murdered by the homunculus Envy in disguise. The first half of the anime's plot adapts the first seven volumes of the manga. ![]() See also: List of Fullmetal Alchemist characters A second anime series, Fullmetal Alchemist: Brotherhood, which faithfully adapted the entire storyline of the original manga, was broadcast in 2009. The first anime series concluded with a direct sequel film, Conqueror of Shamballa, released in 2005. This led to the series deviating into an entirely original storyline direction halfway through its run. During production, Arakawa requested an original ending for the anime that differed from the manga, which was still ongoing at the time. It was broadcast on MBS in Japan from October 2003 to October 2004.Īs in the manga, the series follows the adventures of brothers Edward and Alphonse Elric, who are searching for the Philosopher's Stone so they can regain the bodies they lost in a failed attempt to bring their dead mother back to life. Comprising 51 episodes, it was produced by the animation studio Bones for Mainichi Broadcasting System and Aniplex, and directed by Seiji Mizushima. Fullmetal Alchemist ( Japanese: 鋼の錬金術師, Hepburn: Hagane no Renkinjutsushi ) is a Japanese anime television series loosely adapted from the original manga series of the same name by Hiromu Arakawa. ![]() ![]() Nevertheless, an undead who doesn’t hollow might take their time to build an empire that embraces the curse instead of fighting it. The undead curse makes every human lose their mind in time, which is often why they desperately try to find a cure, casting themselves into the First Flame with no further reflection. The secret ending of Dark Souls IIoffers some hope for the Bearer of the Curse by allowing them to keep their sanity as they hollow. The Age of Dark, though, cannot last forever, as Gwyn’s unnatural interference with the world order condemned everyone to a future of ruins. Of course, the Flame might fade temporarily, just as it happened when Champion Gundyr failed his duty. Gwyn’s First Sin changed the world forever, and there’s no escaping the eternal Cycle. Graced with the visions of the First Fire Keeper, our guide reveals that letting the Flame fade away might not be enough. Nevertheless, the Fire Keeper warns the Ashen One that embers from Lords of the past will reignite the Flame in the future, and fire will once again burn in the darkness. In this ending, the Flame has faded, and the Age of Dark will soon begin. Once the player defeats the Soul of Cinder, they can summon the Fire Keeper, and together they can put out the First Flame. Giving the Eyes to the present-time Fire Keeper allows her to see what the First Fire Keeper once saw, and a new ending is unlocked. Inside the Dark FIrelink Shrines, the Ashen One can find the Eyes of a Fire Keeper, who witnessed the start of the Cycle of the Flame and still holds its secrets. Shouldn’t the Age of Dark have covered the world, then? So how come the Flame is still burning in the present if it already faded away in the past? The answer might lie with a (not so) fresh pair of eyes. ![]() Odd enough, that would mean the Flame was already extinguished before. That means the events that take place in the Dark Firelink Shrine happen before the events of the beginning of the game. If you talk to the merchant in the Dark Firelink Shrine, without ever talking to her elsewhere, she’ll then recognize you once you are back to the regular Firelink Shrine. Another hint that the Dark Firelink Shrine is in the past is the presence of the Shrine Handmaiden. There, the player must face Champion Gundyr, a warrior chosen to rekindle the flame, but who unfortunately arrived too late to do his job.Īs a weakened and corrupted version of Gundyr challenges the player before the Firelink Shrine in their timeline, it’s safe to say this Dark Firelink Shrine is a place from the past. Should the Ashen One push forward in their quest to find the truth, the player might travel to another time, where the Firelink Shrine is covered in darkness. The One explores the ruins of once-glorious kingdoms during their journey, uncovering how the Cycle of the Flame brought powerful Lords to ruins. It’s your job, then, to force them to fulfill their oath by force. The Lords promised to burn again, should the world fall into ruins, but when the time finally came, each of them refused their fate, choosing to wait for the Flame to fade away. Incapable of dying, and with a partially burnt corpse, the Ashen One explores the fallen empires, collecting the remains of Lords of Cinders, ancient champions who already sacrificed themselves to the First Flame. It’s at this point where an Ashen One rises, a burnt corpse that was too weak to keep the fire burning but who’s still touched by the undead curse. Time and space no longer flow naturally, shaping the ruined world in a distorted way. When Dark Souls III starts, the neverending Age of Fire was extended so many times that kingdoms from different ages crumble on top of each other. The world works like this for so long that few people even question the process, and life goes on as each Cycle is shorter and the effects of prolonging the Age of Fire shatters the world. Each time the Flame is fading, a new Lord is chosen and cast in the fire. Dark Souls III takes place in a far future, in a time when the Cycle of the Flame was institutionalized. ![]() However, the clean and well-spaced layout makes it easy to use the remote in darkened rooms. ![]() To avoid the potential distraction that can occur with a lighted remote, the buttons are not backlit or even glow-in-the-dark. There are also buttons for Auto Adjustment, image blanking and freezing, video mode, audio volume and mute, aspect ratio, digital zoom, info and keystone correction. Buttons to page up and down through a presentation on a PC if a USB cable is connected between the projector and the PC are a nice touch. ![]() Oddly, there is no button to directly access the HDMI input. In addition to a Source button for scrolling through inputs, there are also individual buttons for accessing VGA, S-Video and composite video sources individually. Buttons are appropriately grouped with menu access and navigation functions right below the Power button at the top of the remote. The 1610HD’s remote control sports a clean, functional layout with a black case and gray buttons (except for the Power button which is a bright red). The 1610HD offers both manual and auto keystone adjustment so if you need a quick setup, you can use the height adjustment to get the picture close, then use the auto-keystoning feature to square the image to the screen with minimal edge distortion. While minimal keystone correction is not likely to cause any noticeable picture degradation, greater use can distort the image significantly. This is important as it allows the presenter to either eliminate or at least minimize the use of keystone correction to square the image with the screen. Having both front and rear adjustment feet is something we like to see on any multimedia projector, which are table-mounted more often than not. There are 3 OEM versions: the OEM lamp directly. Depending on availability, we carry 4 versions of the Dell 1610HD Lamp. However, setup is facilitated by the ability to adjust both front and rear projector height. Our 1610HD Lamp (Dell model number 330-6581) is a new 225W replacement projector lamp module comprised of a fully assembled bulb and housing, so it is ready for easy installation in your Dell projector. So, unless you’re using the projector on a movable cart, you’ll need to consult the user guide to find out how far the projector needs to be from your particular screen. As is typical with DLP projectors, especially those in the 1610HD’s class, zoom range is limited. ![]() ![]() Although to make the best of your money, we’d recommend creating an Amazon wishlist of games you’re interested in and checking it out through the rest of the day. Including the white OLED down to 280 and the Blue/Red Neon OLED down to 288 so we hope to see some more offers through the day. Will there be any good deals on Switch games?Īlmost every Prime Day we’ve seen some very good deals, and this one is no different. Just remember to cancel your trial before your 30 days end. By signing up for this, you get to experience all the benefits of being a Prime member without paying out for the membership itself (including Prime Day). However, for those of you looking for a bargain without paying out anything extra, you can take part in Amazon’s 30-Day free trial. Yes, you will need an Amazon Prime account to access official Prime Day deals. Mario + Rabbids Sparks of Hope – Standard Edition - $20 from Amazon US (was $60) Lego Star Wars: The Skywalker Saga - £30 (was £35) Kirby and the Forgotten Land - £40 at Amazon UKĪnimal Crossing: New Horizons - £40 from Amazon UK The Legend of Zelda: Tears of the Kingdom - £45 from Amazon UK (was £50) Nintendo Switch OLED Model - Neon Blue/Neon Red - £299.99 from Amazon UK (was £310) Nintendo Switch OLED Model - White - £299.99 from Amazon UK (was £310) SanDisk 1TB microSDXC card for Nintendo Switch - £105 (was £160) from Amazon UK Nintendo Switch (Neon Red/Neon Blue) Switch Sports set + 3 Months NSO - £259.99 from Amazon UK If you don't want to keep your subscription afterwards, you can cancel it within the 30 day trial or you will be charged £8.99/$14.99 per month or £95/$139 annually. Signing up now means you can access the Prime Day deals on 10th and 11th October and more. If you're thinking of signing up or haven't used the subscription service in a while, you can get a free 30-day Amazon Prime trial. Official Amazon Prime Day deals, free next day delivery and bonuses like free games with Prime Gaming are exclusive to Amazon Prime members only. Get Amazon Prime free with a 30-day trial You can also stay on top of some of all the best deals by giving Jelly Deals a follow on Twitter and following our Prime Day topic at the bottom of this guide so that you're notified of all the deals we spot over the course of Prime Big Deal Days. You can see all of the best Prime Day Nintendo Switch deals down below as we keep track of all the best offers on Nintendo Switch games, accessories, and consoles. Software description provided by the publisher.Amazon is once again giving Prime members two days of exclusive offers and discounts thanks to the "Prime Big Deal Days" sale, AKA Prime Day 2, which started yesterday, 10th October, and runs until midnight tonight. Jam out to 900 different music compositions and go 1-on-1 with a friend, hold a 4-player free-for-all, kick it up to 8-player battles and more! Feel free to bust out your GameCube controllers-legendary couch competitions await-or play together anytime, anywhere! Whether you play locally or online, savor the faster combat, new attacks, and new defensive options, like a perfect shield. Having trouble choosing a stage? Then select the Stage Morph option to transform one stage into another while battling-a series first! Plus, new echo fighters Dark Samus, Richter Belmont, and Chrom join the battle. Enjoy enhanced speed and combat at new stages based on the Castlevania series, Super Mario Odyssey, and more! Rool join Inkling, Ridley, and every fighter in Super Smash Bros. ![]() Gaming icons clash in the ultimate brawl you can play anytime, anywhere! Smash rivals off the stage as new characters Simon Belmont and King K. Monti has held the top leadership position in Human Resources for more than ten years, currently serving as Senior Vice President and Chief Human Resource Officer. Monti began serving in human resource positions of increasing responsibility. Rachel Monti joined Swift Transportation in May 1998, beginning her tenure in pricing, after which she helped lead quality assurance ISO certification efforts. Enjoys exercising and watching football, but not at the same time. When he has a break from work, nothing beats a date night with his wife or a movie night with his kids. įather to three active kids who keep him and his amazing wife on the move. Adam earned his Bachelor of Science degree in accounting from Arizona State University and is a Certified Public Accountant in the state of Arizona. November 13, 2020, Adam Miller was appointed President of Swift Transportation and will continue to serve as the Chief Financial Officer of Swift’s parent company, Knight-Swift. ![]() Miller was appointed as the CFO of Knight-Swift Transportation Holdings Inc. Following the merger with Swift Transportation in September 2017, Mr. Miller served in several other accounting and finance positions at Knight since 2002. Prior to his appointment as Controller of Knight Refrigerated, LLC, Mr. ![]() Miller served as the Senior Vice President of Accounting and Finance from February 2011 to May 2012 and as Controller of Knight Refrigerated, LLC from January 2006 to February 2011. Prior to becoming CFO of Knight Transportation, Mr. He was appointed as CFO in May 2012 and served as the Secretary and Treasurer since February 2011. Adam Miller joined Knight Transportation in September 2002. Yongzhi Su, Yan Di, Guangyao Zhai, Fabian Manhardt, Jason Rambach, Benjamin Busam, Didier Stricker and Federico Tombari “ OPA-3D: Occlusion-Aware Pixel-Wise Aggregation for Monocular 3D Object Detection.” IEEE Robotics and Automation Letters (2023). Extensive experiments on the public benchmark demonstrate that OPA-3D outperforms state-of-the-art methods on the main Car category, whilst keeping a real-time inference speed. This novel two-stream representation enables us to enforce cross-stream consistency terms, which aligns the outputs of both streams, and further improves the overall performance. The second stream, named as the Context Stream, directly regresses 3D object location and size. In addition, a bounding box based geometry projection scheme is employed in an effort to enhance distance perception. Thereby, the geometry stream combines visible depth and depth-bounding box residuals to recover the object bounding box via explicit occlusion-aware optimization. To overcome this limitation, we instead propose to jointly estimate dense scene depth with depth-bounding box residuals and object bounding boxes, allowing a two-stream detection of 3D objects that harnesses both geometry and context information. Yet, such two-stage methods typically suffer from overfitting and are incapable of explicitly encapsulating the geometric relation between depth and object bounding box. The article is openly accessible at: Ībstract: Monocular 3D object detection has recently made a significant leap forward thanks to the use of pre-trained depth estimators for pseudo-LiDAR recovery. The work is a collaboration of DFKI with the TU Munich and Google. We are happy to announce that our article “ OPA-3D: Occlusion-Aware Pixel-Wise Aggregation for Monocular 3D Object Detection” was published in the prestigious IEEE Robotics and Automation Letters (RA-L) Journal. Dimitrios Giakoumis (CERTH ITI) – Designing human-robot interaction interfaces for shotcrete construction robots the RobetArme project case.Patricia Helen Rosen (BAUA) – Design recommendations for construction robots – a human-centred perspective. ![]() Jason Rambach (DFKI) – Machine perception for human-robot handover scenarios in construction.Serena Ivaldi (INRIA) – Teleoperating a robot for removing asbestos tiles on roofs: Insights from a pilot study. ![]() The program of the special session included the following talks: The organization of the special session was done by Jason Rambach, Gabor Sziebig, Research Manager at SINTEF, and Mihoko Niitsuma, Professor at Chuo University. Jason Rambach, coordinator of the EU Horizon Project HumanTech co-organized a special session on “Human Factors in Construction Robotics” at the IEEE International Conference on Advanced Robotics and its Social Impacts (ARSO 2023) in Berlin, Germany (5.6-7.6). Previously, a tan had been equated with working-class women who performed outdoor labor now a tan identified a woman as modern and healthy, participating in outdoor recreations and leisure. ![]() In the late 1920s and 1930s, it became fashionable for white women to sport the appearance of a “healthy” tan. African American identity, however, was explicitly excluded from this ethnic mingling. White women could experiment with a trendy, exotic identity – and then wash it off. “Exotic” or “alluring” ethnic stereotypes became inspirations for make-up fashions that ostensibly reflected the American melting pot. The growing ethnic diversity of the United States also influenced how cosmetics companies marketed their products. “Painted” women could now also identify as respectable women, even as they wore dramatic mascara, eyeliner, dusky eyeshadow, and lipstick like the stars of the screen. This shift reflected the growing influence of Hollywood and its glamourous new film stars, as well as the fashion of theater stars and flappers. Jergen's Face Powder in Pink Frosting Shadeīy the 1920s, it was fashionable for women, particularly in cities, to wear more conspicuous make-up. Walker created enough of a demand through other distribution channels.Įlizabeth Arden continued to have "systems" of cosmetics. Many white shop owners refused to consider stocking African American beauty products until successful businesses like that of Madam C. African American women also found success through this model, but faced extra obstacles. Florence Nightingale Graham, for example, was the daughter of tenant farmers, and worked many low-paying jobs before opening a beauty shop for elite clients and reinventing herself as Elizabeth Arden. Most of these entrepreneurs came from fairly humble origins, and some managed to transform their local operations into successful businesses with a wide distribution of their products. Women could make a living in the burgeoning cosmetics trade as business owners, agents, or factory workers. Also, more women were earning wages and buying cosmetics, thereby enlarging the market further. This business model allowed many women to make money independently. Some of these new companies were small, woman-owned businesses that typically used an agent system for distribution as pioneered by the California Perfume Company, later rebranded as Avon. In the 1880s, entrepreneurs began to produce their own lines of cosmetic products that promised to provide a “natural” look for their customers. Woman worked to attain the era’s ideal feminine identity a “natural” and demure woman with a pale-complexion, rosy lips and cheeks, and bright eyes. Painting one’s face was considered vulgar and was associated with prostitution, so any product used needed to appear “natural.” Some women secretly stained their lips and cheeks with pigments from petals or berries, or used ashes to darken eyebrows and eyelashes. Druggists sold ingredients for these recipes, as well as the occasional ready-made preparation. ![]() Instead, women relied on recipes that circulated among friends, family, and women’s magazines using these recipes, they discreetly prepared lotions, powders, and skin washes to lighten their complexions and diminish the appearance of blemishes or freckles. For most of the nineteenth century few paint cosmetics were manufactured in America. But, shortly after the American Revolution the use of visible “paint” cosmetics (colored cosmetic for lips, skin, eyes, and nails) by either gender gradually became socially unacceptable. In eighteenth century America, both men and women of the upper classes wore make-up. Warshaw Collection of Business Americana, Archives Center, National Museum of American History, Smithsonian Institution To skip the text and go directly to the objects, CLICK HEREĪ shop window advertising sign depicting a pale-complected, red-lipped beauty idealized at the start of the 20th century. ![]() The text below provides some historical context and shows how we can use these products to explore aspects of American history, for example, the links between changes in American feminine identity and the American beauty industry. This section includes products such as rouges and lipsticks. Eliot Elisofon Photographic Archives, African Art.
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